Friday, March 20, 2020

Early-career Setbacks: A Mixed Psychological Effect

The following is an excerpt from a very interesting study by Wang et al. 
You can find the full-text here: https://arxiv.org/pdf/1903.06958.pdf

“Science is 99 percent failure, and that’s an optimistic view”, said Robert Lefkowitz, who was awarded the Nobel prize in 2012 for his groundbreaking studies of G protein-coupled receptors. Despite the ubiquitous nature of failures, it remains unclear if a setback in an early career may augment or hamper an individual’s future career impact. Indeed, the Matthew effect suggests a rich get richer phenomenon where early-career success helps bring future victories. In addition to community recognition, bringing future attention and resources, success may also influence individual motivation, where positive feedback bolsters self-confidence. Together, these views indicate that it is early-career success, not failure, that would lead to future success. Yet at the same time other mechanisms suggest that the opposite may also be true. Indeed, screening mechanisms suggest that, if early-career failures screen out less-determined researchers, early setbacks among those who remain could, perhaps counterintuitively, become a marker for future achievement. Further, failure may teach valuable lessons that are hard to learn otherwise, while also motivating individuals to redouble effort, whereas success may be associated with complacency or reduced future effort due to utility maximization. Such positive views of failure are reflected in Nietzsche’s classic phrase “what doesn’t kill me makes me stronger”, in the celebration-of-failure mindset in Silicon Valley, and in a recent commencement address by U.S. Supreme Court chief justice John Roberts, who told graduating students “I wish you bad luck.” Overall, these divergent perspectives indicate that the net effect of an early-career setback is unclear. Given the consequential nature of this question to individual careers and the institutions that support and nurture them, and building on the remarkable progress in our quantitative understanding of science, here we ask: Can an early-career setback lead to future career impact?
To offer quantitative answers to this question, we leverage a unique dataset, containing all R01 grant applications ever submitted to the NIH, to examine early-career success and failure. NIH funding decisions are largely determined by paylines derived from evaluation scores. Our empirical strategy harnesses the highly nonlinear relationship between funding success and evaluation score around the funding threshold. Indeed, focusing on individuals whose proposals fell just above and below the threshold allows us to compare observationally-similar individuals who are either near misses (individuals who just missed receiving funding) or narrow wins (individuals who just succeeded in getting funded). Here we focus on junior scientists by examining principal investigators (PIs) whose first application to the NIH was within the previous three years. We combine the NIH grant database with the Web of Science data, tracing their NIH R01 grant applications between 1990 and 2005 together with research outputs by the PIs, measured by their publication and citation records (see Supplementary Note 1 for details). In total, our analyses yielded 561 narrow wins and 623 near misses around the payline.

Published in Nature Communications

Sunday, September 29, 2019

A Nimble Mind

An exponent of modern music and as a person who gives all genres a go, I should say I felt discouraged by the scene. A lot of time it is a subjective assessment and not supported by logic. I know I used to listen to music in a different way and was mindless about the technical side of it. But that has changed and it brings a different level of musical elitism. However, this elitism has certain anachronism with it. With the super-fast distribution of new music and DIY culture, it is not the wisest way to limit your palette to the known and tested bands/musicians/artists.
No matter how onerous it is, exploring new music is always rewarding. I have been doing that in the past 15 years and I discovered strong bonds with very exciting projects and works of original artists. The clash between a pompous group of die-hard classical fans and modern age adventurism dates back to the era of Stravinsky, Shostakovich, and many Jazz pioneers. All these views are respectable vis-a-vis authenticity and originality and I think they all form a beautiful gestalt of contemporary music.

This is an introduction to the new vision, new perspective and new taste: how I will be enjoying or analyzing music from now on.

Saturday, October 13, 2018

My Top 5 Doom Metal Albums


1- Evoken: Atra Mors (2012)
2- Evoken: Antithesis of Light (2005)
3- Daylight Dies: Dismantling Devotion (2006)
4- Saturnus: Saturn in Ascension (2012)
5- My Dying Bride: The Dreadful Hours (2001)

Wednesday, September 19, 2018

How Clear, How Lovely Bright


How clear, how lovely bright,
How beautiful to sight
    Those beams of morning play;
How heaven laughs out with glee
Where, like a bird set free,
Up from the eastern sea
    Soars the delightful day.
To-day I shall be strong,
No more shall yield to wrong,
    Shall squander life no more;
Days lost, I know not how,
I shall retrieve them now;
Now I shall keep the vow
    I never kept before.

Ensanguining the skies
How heavily it dies
    Into the west away;
Past touch and sight and sound
Not further to be found,
How hopeless under ground
    Falls the remorseful day.

by: Alfred Edward Housman

Sunday, September 16, 2018

1000 Shards

Into the truth
Let myself burn
Now it's written
1000 Shards


Aaron Turner
Song: 1000 Shards
Album: In the Absence of Truth
Band: Isis

Sunday, May 13, 2018

The Beckoning Change

Music is the joy of my life and my constant companion in almost all periods of my life.
Such an integral part of one's life is inevitably affected by the ebbs and flows of life.
I now re-defined my relation with music. I tried to learn and discuss music with people with deeper knowledge about music. A guitar instructor's lesson was a game-changer as it inclined me to change my attitude about a lot of music I used to carelessly under-appreciate.
In music, I don't believe at any time-point we should form a solid attachment to a genre. Beyond the tunes, lies a concept and a framework which we must understand. A true enjoyment is only fulfilled when we dig deep and engage at all different levels with a phenomenon. Of course in art the definition of right and wrong is meaningless, yet there is an preference in each person for a genre, band, artist or concept. I believe a trained mind should have a cultivated ear in music as one of person's cognitive experiences.

Jazz was always a sound far from my ears' preferred tunes. I deemed the music consisted of disjointed micro-melodies. In the road map of my life we will be always in pursuit of a resolute perception. Always surrogate carriers of truth.
So here Jazz is the paradigm of change. A change in my perception. I think the same paradigm applies to various cognitive experiences. You embrace the new idea, you analyze and learn. Then you either absorb or reject that new idea. But the key is keeping the door open.
We all face and experience similar materials over and over in our lives. However, the way we mentally execute the meaning of experiences is always changing. Partly this is related to our ageing and our relative stance toward death and mortality. Partly, due to our sentimental ebb and flow. And, partly due to our knowledge. The one parameter some bleed and sweat for. In this evolving understanding, different factors are at work. The proportion varies in each person depending on the balance of knowledge, emotional stability and maturity of character. But change is there as a natural end result of our evolution.
In the end I recognize intelligence a selfless quality in itself, it tends to serve as a conduit for unlimited thoughts. The true intelligence is wild and limitless.

Tuesday, March 13, 2018

Drift

















Extinction looming.
I feel life is swallowing me and there is nothing that will remain of my existence.
There is an unceasing wind against which I stand.
Sword in hand,
and,
...
maybe a melody...
...in my ears.

Thursday, January 18, 2018