Friday, June 28, 2013

Stig Dagerman: An Elegy






Stig Dagerman has had the touch of magic on my soul, irritably shaking the core with his shockingly direct and masterfully aggressive style. Daggerman epitomize the very simple and defenseless intellectual exposed to harsh reality of 20th century. Sweden, his homeland was passing a crucial period with much pressure hinging on the low-income working class. Anarchism and syndicalism was surging all across the Europe stirring up the calm nature of region. Joining syndicalism was the fruit of a complicated political/social background which is less dignified in Dagerman's profile. Like all well-known public black-outs, a surging interest in his works has appeared since 1980s and a reward is called to his honor. He was the full-view representative of intellectuals highly affected in the wake of post-world war II era. His writings convey the themes of existentialism via artfully expressed feelings of fear and uncertainty. Imagine Kierkegaard’s level of consciousness stripped of all arbitrary chase for spirituality (Kierkegaard’s 2nd and 3rd layers) more focused on aesthetics of social conducts and family affairs. A malicious anxiety woven in the very texture of his words, a hail of abhorrence and rejection (look at his heart-wrenching short story "Surprise"), all and all a very unique, a very uneasy and yet a very modern experience for the readers. Ideologically i must confess i'm against his political school of thinking. I rate the line pretty  premature then and outdated now. Yet I still like him and his works. I respect him as the son of his harsh circumstance, who stands for some principles and express his thoughts artfully.
I think something, still unrecognized or less understood dominate his lines. Some of the features in his short stories and novels are so hard to decipher, like the man himself. Definitely some sorry themes in Dagerman’s family life and emotional conflicts have made the fair ground for his outstanding streak of writing to flow. I’ve spent a number of my desolation days with the highly emotive pulsation of Daggerman’s “Snake” under my skin. Feeling insecure, lonely and hopeless is not a heavenly gift but admittedly transformed into some literary masterpiece, as history has shown.

Pedram, June2013