Stig Dagerman has had the touch of magic on my soul,
irritably shaking the core with his shockingly direct and masterfully
aggressive style. Daggerman epitomize the very simple and defenseless
intellectual exposed to harsh reality of 20th century. Sweden, his
homeland was passing a crucial period with much pressure hinging on the low-income working class. Anarchism and syndicalism was surging all across the Europe
stirring up the calm nature of region. Joining syndicalism was the fruit of a complicated
political/social background which is less dignified in Dagerman's profile. Like all well-known public
black-outs, a surging interest in his works has appeared since 1980s and a
reward is called to his honor. He was the full-view representative of
intellectuals highly affected in the wake of post-world war II era. His
writings convey the themes of existentialism via artfully expressed feelings of
fear and uncertainty. Imagine Kierkegaard’s level of consciousness stripped of
all arbitrary chase for spirituality (Kierkegaard’s 2nd and 3rd
layers) more focused on aesthetics of social conducts and family affairs. A malicious anxiety woven in the very texture of his words, a hail of abhorrence and rejection (look at his heart-wrenching short story "Surprise"), all and all a very unique, a very uneasy and yet a very modern experience for the readers. Ideologically i must confess i'm against his political school of thinking. I rate the line pretty premature then and outdated now. Yet I still like him and his works. I respect him as the son of his harsh circumstance, who stands for some principles and express his thoughts artfully.
I think something, still unrecognized or less understood
dominate his lines. Some of the features in his short stories and novels are so hard to decipher, like the man himself. Definitely some sorry themes in Dagerman’s family life and
emotional conflicts have made the fair ground for his outstanding streak of
writing to flow. I’ve spent a number of my desolation days with the highly
emotive pulsation of Daggerman’s “Snake” under my skin. Feeling insecure, lonely
and hopeless is not a heavenly gift but admittedly transformed into some literary
masterpiece, as history has shown.
Pedram, June2013
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